Rather than focus solely on debates around cruelty or necessity, Toil centers the people who carry out this labor. In Labelle, Florida, insect farmers describe themselves as caretakers and mothers (Bug Farm, 2020). In Jeromesville, Ohio, working-class meat processors reflect on the signs of arthritis they observe in the animals they disassemble, mirroring the wear they feel in their own bodies (Fleshwork, 2023). In the outskirts of Budapest, Hungary, ecological biologists at the Centre for Agricultural Research study the phenomenon of sex reversal in frogs—work that unfolds in tension with the Hungarian government’s assertion of the fixed nature of biological sex.

The installation brings together these three films—two completed, one in progress—into a multi-channel format that opens space for reflection on how we assign value, justify harm, and navigate care in our interspecies relationships.

Cornett’s practice combines field-based documentary methods with experimental montage, sound layering, and multi-voiced narrative. In Toil, she uses this hybrid approach to explore the moral and sensory terrain of human-animal labor. The work does not offer answers, but rather asks viewers to sit with discomfort—where care and harm intertwine, and where the labor of tending, butchering, or studying animals becomes a site of reflection, intimacy, and contradiction.