Winter uses feminist speculative fabulation as her primary artistic method. Her immersive installation can be interpreted as a cave—referencing Plato’s “Allegory of the Cave”—or as a female womb. She creates an environment where we can learn to tell our stories anew and reevaluate our histories as a species in the face of planetary ecocide. As Haraway puts it, Human as humus has potential, if we could chop and shred human as Homo, the detumescing project of a self-making and planet-destroying CEO.

Winter’s photographs and video works are driven by a multi-perspective narrative in which the artist slips into different fictional and real characters. Her self-portrait, The Neanderthal (2022), shows the artist as a Neanderthal woman contemplating a silver bone, referencing Ursula K. Le Guin’s 1986 essay, “The Carrier Bag Theory of Fiction,” and proposing a change of perspective, in which the bag, rather than the weapon, takes precedence instead of our linear, progressive, Techno-Heroic modes of establishing human history. It’s an invitation to begin thinking about our existence with a vessel, container, an instrument, that serves the gathering of sustenance and stories, symbolizing the principles of community and exchange.

Through the creation of this immersive, welcoming ritual space, Winter aims to find new ways of community-building, gathering, and sharing food, knowledge and stories. The exhibition will be accompanied by a rich program of workshops and the launch of her publication The Earth is a Glowing Pudding, which includes glossary entries, excerpts from conversations with experts related to Winter’s artistic research, and visual documentation of her performances, installations and films.

Special thanks to the Liget Gallery team: Hanna Claris and Lili Kátai.

The exhibition is supported by the Austrian Cultural Forum Budapest